


On Immortality.
​
I have lived long enough to understand that immortality is not a gift nor a curse. It is an accumulation.
Time does not move cleanly for me. It does not divide itself into years or decades in any meaningful way. It gathers instead and settles into me. Pressing down, layer by layer, until memory itself feels heavy. I do not feel old in the way humans mean it. My body remains compliant, unprotesting, and my face still persuades strangers. But on the inside, things are not so orderly.
I began writing because forgetting had frightened me more than death ever did. I didn’t expect that.
There were centuries when I trusted my memory completely, or rather, I trusted what I thought was memory. I believed I could carry every face, every name, and every place that mattered. I still believe that even now, though I know better. Memory is not a vault. It is a living thing, and living things decay. They soften at the edges and replace details without permission. One day, you reach for something vital and discover only the outline remains, like a city seen through fog.
I have lost cities this way. Not to fire or flood, but to erosion. The kind that begins with forgetting the almost pungent smell of the rivers that once cut through their streets. I remember the sensation of walking the pathways and roads without recalling their names. The sound of bells, without remembering what they summoned people toward. Without writing, the past becomes a series of impressions, and impressions are dangerously easy to doubt.
Humans imagine immortality as a spectacle. They picture endless nights of indulgence, power without consequence, pleasure sharpened by danger. They do not imagine the quiet, nor do they imagine the long stretches where nothing happens, and no one notices you are still here. Humans do not know how often eternity feels indistinguishable from waiting.
I have spent years in rooms where nothing has changed. I have listened to the same clock tick through entire generations, and I have sat perfectly still, not out of necessity, but to reassure myself that the world continued to exist beyond my attention. Silence, prolonged enough, feels like an accusation.
I have watched languages rise and fall, and I have seen gestures loaded with meaning become empty habits. I have lived long enough to witness ideas treated as eternal truths, only to be quietly abandoned when they became inconvenient. Continuity, I have learned, is a human illusion. What persists is not belief, but adaptation.
And yet, despite everything, I am still surprised by small things.
A new word spoken casually, unaware of its novelty. A song hummed without intention. The way humans still fall in love as though history has never warned them otherwise. They behave as if repetition does not diminish significance. In this, they may be wiser than they know.
The cruellest aspect of time is not that it takes everything. It keeps offering replacements. Faces blur together. Voices echo to one another. Loss becomes familiar enough to survive, but never familiar enough to stop hurting.
I do not write these notes as a confession. I am not interested in absolution. Guilt is like hunger, and it dulls with repetition. What endures is the observation. What remains sharp is the awareness that I am still here, even though so many others are not.
I write because I fear the night when I will look at the moon and feel nothing at all. Not comfort or longing, nor recognition. Just absence. I suspect that would be the closest I could get to an ending.
If someone reads this one day, you are not meant to understand me; understanding requires distance, and I have lived too long to be held at arm’s length. These notes are not explanations. They are markers.
I was here.
I noticed things.
And for now, I am still noticing.